2021. ‘Ambient Intelligence in Electroacoustic Music: Towards a Future of Self-Organising Music’, Proceedings of the Electroacoustic Music Studies Network Conference, Leicester, UK
2018. ‘Overviewing a field of self-organising music interfaces: autonomous, distributed, environmentally aware, feedback systems’, 23rd ACM Conference on Intelligent User Interfaces, Intelligent Music Interfaces for Listening and Creation, Tokyo, Japan
2017. Vers une pensée musicale orientée-système : l’oeuvre musicale auto-organisante, PhD Thesis, University of Paris VIII, Paris, France
2013. co-author: Ioanna Symeonidou. ‘SYN-THESIS: An insight into the correlations in architectural and musical algorithmic composition’, International Conference of Music and Architecture “Knowing (by) Designing”, Brussels, Belgium
2012. ‘Ephemeron: Self-organising music and second-order cybernetics’, International Conference Re-New/IMAC, Copenhagen, Denmark
2011. ‘Experiencing the Self-Organising Work of Music’, 2nd EU-China Cultural Forum, Beijing, China
2011. ‘The Self-Organizing Work of Music’, Organised Sound: An international journal of music technology, vol. 16; No. 2; Cambridge University Press
2011. ‘Iannis Xenakis and Systems Thinking’, International Conference of Iannis Xenakis, Southbank, London. Reprinted in: 2015, Edward A. Shanken (ed.), Systems; MIT Press
2010. ‘Constructions of Beauty’, 1st EU-China Cultural Forum Brussels, Belgium
2009. ‘Applications of Systemic Principles in Music Composition’, Sound, Sight, Space and Play International Conference, De Montfort University, Leicester, UK
2008. ‘Ephemeron: Control over self-organised music’, 5th Sound and Music Computing Conference, Technische Universität, Berlin. Revised version printed in: 2009. Hz Music Journal, vol. 14.
2008. ‘Music and Systems Thinking’, 5th Conference of Electroacoustic Music Studies Network, Sorbonne, Paris
2007. La pensée systémique et la musique, les rapports de Iannis Xenakis et d’Agostino Di Scipio à la pensée systémique. La proposition d’un modèle systémique de la musique symbolique, Masters dissertation. Université of Paris VIII, Paris